THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often yearning romantics, with this particular change: Buster would seem a plausible mate, and also the Tramp barely appears to possess a libido, only idealized notions. If their comedies had been made in a far more liberated time, it is feasible to imagine Keaton in bed with a woman, but disquieting to think about the Tramp like a sexual